![]() Nations titled “Unlucky Woman – The Story of Linda Keene.” Unfortunately, Linda Keene never penned an autobiography so her story is only what can be pieced together from her various media notices, reviews of her recordings, and advertisements for her public appearances. The second was four years later in 2011 in Doctor Jazz Magazine out of Holland by Opal L. The first was “Linda Keene - Leonard Feather’s Fave” published in The IAJRC Journal (International Association Of Jazz Record Collectors) in August of 2007 by Eves L. There have been a couple of scholarly articles over the years but the information in both is sparse and, at times, incorrect. Ultimate, lasting fame eluded her however and all of her recordings have languished on obscure 78 rpm records for eighty years. Linda laid down more than 20 recordings during her career, appeared on a nationally syndicated radio program with Henry Levine, and even appeared in three early film “Soundies,” the precursors to today’s music videos. Such is the unfortunate story of Linda Keene. How is it that a popular singer who recorded with the likes of Jack Teagarden, Tony Pastor, Lennie Hayton and toured extensively with bands led by Red Norvo and Muggsy Spanier, is all but forgotten today? 52-Pages Booklet i ncluding comprehensive essay,Ĭomplete sessionography, full recording details, rare photos & memorabilia.John, Mike Doty, Slats Long, Hank Freeman, Johnny McAfee (cl, as), John Van Eps, Hub Lytle, John Sadola, Willard Brady, Stuart Anderson, Tony Pastor, Rudolph Adler (ts, cl), Ernie Caceres (bs, ts, cl), Dave Bowman, John Anderson, Lennie Hayton, Les Burness, Mario Janarro, Charlie Queener, Leonard Feather, Joe Springer (p), Red Norvo (vib), Eddie Condon, Allan Reuss, Dave Barbour, Al Avola, Tony Colucci, Chuck Wayne, Remo Palmieri (g), Clyde Newcombe, Art Miller, Bernie Friedland, Marvin Wittstein, Harry Patent, Irving Lang, Clyde Lombardi (b), Andy Picard, Clois Teagarden, Bunny Shawker, Johnny Morris, Nat Levine, Buddy Christian, Eddie Dell (d), Adele Girard (harp), Dorsey Anderson (vcl) Shame.Personnel: Linda Keene (vcl), Bobby Hackett (cnt), Charlie Spivak, Lee Castle, Carl Garvin, Bill Graham, John Dillard, George Jaffe, Max Kaminsky, Irving Berger, Bill Robbins, Charles Trotta, Henry Levine, Charlie Shavers (tp), Jack Teagarden (tb, vcl), Jose Gutierrez, Mark Bennett, Charles McCamish, Walter Mercurio, Wendell de Lory, Henry Singer, Bill Abel, Ray Noonan, Al Philburn (tb), Brad Gowans (v-tb, as), Pee Wee Russell, Alfie Evans, Joe Marsala, Aaron Sachs (cl), Clint Garvin, Art St. As for the two good scenes traditionally to be found in Phantom movies, Little has several ineffective unmasking and omits the chandelier altogether. We get several climaxes, none very worthwhile, and a set-up for the sequel, The Phantom Of New York, which was never actually shot.ĭwight Little laces the Victorian huffing and puffing with Elm Street wisecracks and lovingly applied ketchup. ![]() ![]() "There must be hundreds of miles of tunnel down here," exclaims one bobby as they go through the same mile of sewer for the hundredth time. The Phantom skins his victims and sews bits of their faces onto his own to cover the not-terribly-horrifying scars inflicted by a Satanic dwarf in a silly flashback.Īfter sundry murders and arias, the Phantom kidnaps the girl and takes her to his lair, pursued by the hero and the police. He is, in fact, the Phantom, a cloaked and masked type who hangs out in the sewers under the theatre and is rumoured to have sold his soul to the Devil for musical genius. She is being coached for her big break by a mysterious "angel" who dwells behind her dressing room mirror. It opens with a soprano (Schoelen) sent back to an earlier incarnation in Victorian London. It does, however, have better music in Gounod's Faust than the Andrew Lloyd Webber version. This 80s version of Phantom rehashes bits from the 1925 Lon Chaney, 1943 Claude Rains and 1963 Herbert Lorn movies in a vehicle for Nightmare on Elm Street's Robert Englund.
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